P0385
 
P0385
Главная / Personalia
 
P0385a
 
Personal Data
Surname Aquino (Aqui)
First name Tommaso
Nickname  
Dating 1357?
Location Naples
Life dates + minorenne, post 23-7-1352
Title Signore di Ponte Albaneto e Venamaggiore dal 1342
Close relatives father - Cristoforo (+ 22-9-1342), Signore di Ponte Albaneto e Venamaggiore
mother - Filippa, figlia di Jacopo della Leonessa (+ post 23-7-1352).
Type of the object Sarcofago
Place of manufacturing
(place of burial)
 
Place of exposition left wall, 7th chapel right, Basilica di San Domenico Maggiore, Naples, Campania, Italy
Cappella d'Aquino
Date of manufacturing  
Artist
Comments

Monumento di Cristoforo (†1342) e Tommaso d'Aquino (†1357), conte di Belcastro

Так как прочитать надпись на памятнике не удалось, а в описаниях указано, что он принадлежит Cristoforo (†1342) e Tommaso d'Aquino (†1357), conte di Belcastro, есть основание полагать, что эта информация неточная:
- судя по стилю памятника, он относится к ок. 1340-м (см. P0366),
- изображенные комплексы почти идентичны и соответствуют также периоду ок. 1340-х (к концу 1340-х сюрко переходит в короткое облегающее и обнажает наколенники - см. P0369, 1347),
- в единственной найденной очень подробной генеалогии d'Aquino присутствует Cristoforo (†1342), но ближайший к нему Tommaso d'Aquino - его сын (+после 1352 и ничем особым не выделялся) и его отец Tommaso II (+1338-39, Conte di Belcastro и очень знатный человек)
- в одном из описаний памятника указано, что на нем изображен Tommaso d'Aquino (†1357), conte di Belcastro, но титул "conte di Belcastro" имел Tommaso II (+1338-39) и передал через своего старшего сына Adinolfo (+1326-1337) своему внуку Tommaso III detto Tommasello (+1375), который совершенно не подходит по датировке к нашему памятнику
Таким образом, наиболее подходящими для нашего памятника являются Tommaso II d'Aquino (†1339) и его младший сын Cristoforo d'Aquino (†1342)

Есть особенности, которые требуют объяснения:
- у нижнего персонажа декоративная защита больше похожа на короткое сюрко, чем у верхнего;
- прическа у верхнего персонажа имеет прямые волосы, что соответствует более поздней моде (см. P0367, 1358), а у нижнего - с буклями;
- верхний персонаж имеет надгробную надпись в несколько строк, а нижний - всего одну строку;
- верхний персонаж имеет сюрко с вышивкой и гербом, а у нижнего никаких украшений нет;
- у нижнего персонажа рельеф складок не такой мягкий и есть вероятность, что это длинные фестоны (см. P0367, 1358, но наш подол слишком длинный)
- логично предположить, что предок имеет большую важность в глазах потомков и должен располагаться выше, чем его сын.

до получения дополнительной информации будет считать, что верхнее изображение представляет Cristoforo d'Aquino (†1342), а нижний персонаж - его сын Tommaso (+ minorenne, post 23-7-1352, ?1357), памятник построен для Cristoforo d'Aquino (†1342), а фигура его сына добавлена позже

дополнительную личную информацию см. P0384

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P0385b
 
Personal Data
Surname Caracciolo
First name Giannotto (and Antonello)
Nickname  
Dating 1347
Location Naples
Life dates +1347
Title  
Close relatives  
Type of the object tomb effigy, sarcofag
Place of manufacturing
(place of burial)
 
Place of exposition Church of San Lorenzo Maggiore, Naples, Italy
Date of manufacturing 1340 - 1360
Artist
Comments

(Link)
Unknown Caracciollo
1330
San Lorenzo Maggiore, Naples, Campania, Italy

Sepulchre of Ludovico, Giannotto, Antonello and Manella Caracciolo (Black Death 1347) - Front, on the left: Saint John the Baptist, Giannotto Caracciolo, the Virgin Mary with Child, Manella Caracciolo, Antonello Caracciolo, Saint Anthony Abbot - Church of San Lorenzo Maggiore in Naples
Inscription: HIC IACENT NOBILES VIRI DOMINUS LODOYCUS CARACZOLUS DE NEAPOLI MILES DOMINUS JOHANOCTUS FILIUS EIUS ANTONELLUS ET MANELLA FILII / DOMINI DOMINI JOANNIS ET NEPOTUM DOMINI DOMINI LUDOYCI QUI OBIERUNT / ANNO DOMINI MCCCXLVII INDICTIONE PRIMA VIDELICET DOMINUS LODOYCUS XX / III MAJ ANTONELLUS XXIIII EIUSDEM DOMINUS JOHANOCTUS XV JUNII ET MANELLA VIII IULIJ PRIME INDICTIONIS PREDICTE QUORUM ANIME REQUISCANT IN PACE FIAT

(Link)
Monumento funebre di Giannotto e Ludovico Caracciolo
Tipo: Oggetto fisico; monumento funebre
Tipo di scheda: Opere e oggetti d'arte
Categoria: Sculture; Suppellettile liturgica
Autore: Ambito culturale: bottega napoletana - motivazione dell'attribuzione: analisi stilistica
Monumento funebre.
Stato di conservazione: mediocre
Estensione: 290 x 205 x 70
Materia e tecnica: marmo bianco
Data di creazione: 1340 - 1360, sec. XIV (motivazione della cronologia: bibliografia) (motivazione della cronologia: analisi stilistica)

(Link)
Title: Campania--Napoli--Naples--S. Lorenzo Maggiore, Image 1262
Author/Creator:Hutzel, Max
Creation Date: 1960-1990
Physical Desc.: Image 1262 of 1299
Summary:
Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD.; Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments; Object Notes: 3 color negatives with no prints at the end.; General Notes: Most objects/paintings/frescoes unidentified. Three batches of photos with the same numbering system arrived. The second and third have been been assigned A and B respectively after their numbers, and should not be interfiled. Some of this material was catalogued by consultant Dr. R. Leighton at the site of S. Lorenzo in November 1987, and worksheets for the antiquities and medieval material were written. Photos 1-40 consist of some objects from excavations under the church; others possibly come from outside Naples. Photos 41-72 represent selections from unrestored material found in excavations under the cloister of the church. Photos 73-132 consist of medieval-renaissance ceramics on display in the museum of the church. As regards the paintings, a number are in S. Lorenzo, while others are from various parishes outside Naples, which were transferred to temporary storage in S. Lorenzo after the earthquake of 1982 (photos 196-284).
Notes:
German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Form/Genre: Black-and-white prints (photographs)
Format: Still image
ID/Acc. No.: 86.P.8
Is Part Of: Foto Arte Minore / Max Hutzel (accession number 86.P.8)
See Also: Collection description
Use Restrictions: Digital images courtesy of the Getty's Open Content Program.

Sepolcro di ludovico caracciolo (1335) e nativita di montano d'arezzo (1300 ca.)
Napoli

Naples
"San Lorenzo Maggiore"
Basilica San Lorenzo Maggiore
During your visit to La Basilica di San Lorenzo Maggiore or Basilica of Saint Laurence the Major, in southern wing of transept you are going to find wonderful tombs of XIV and XV centuries. Sepulcher of Ludovico, Giannotto, Antonello and Manella Caracciolo died during the Black Death in 1347 is real masterpiece. On the front panel of sepulcher you can see buried here members of Caracciolo family with saints. From the left to right you can see Saint John the Baptist, Giannotto Caracciolo (kneeling knight), Virgin Mary with Child, Manella Caracciolo, Antonello Caracciolo (kneeling knight), Saint Anthony. On the upper lid you can see the effigies of Giannotto Caracciolo and Antonello Caracciolo. They shown us as the knights in armor typical for the first half of XIV century and their armors consist of chain mail hauberks and chain mail hoses. Defense of their shins reinforced by iron or leather grieves. Defense of their hands and shoulders are reinforced with round pauldrons and couters or just roundels. They wear surcoats over hauberks. Here you shall be able to se the sepulcher of a knight belonged to Cicinello family who died in January of 1455. His effigy on the lid demonstrates a knight in full plate gothic armor of Italian type typical for mid of XV century. Over his armor he wears heraldic tabard. All these knightly tombs are real treasure for the tourists interested in medieval military history.

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